Posts in the Category: Opéra

HIP 127 LA CONSTELLATION DES CIGOGNES

By Posted in - Opéra on November 8th, 2016 0 Comments

 

Les premières notes de l’orchestre symphonique saisissent le noir du plateau. Dans leurs respirations, un halo clair-obscur fait apparaître un corps, puis deux, puis huit (sept jongleurs et une chanteuse lyrique) au centre d’un cercle bleu nuit plein se dévoilant au sol. Ombres verticales et ténues…

Natacha Margotteau

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La gaîté parisienne

By Posted in - Opéra on November 8th, 2016 0 Comments

 

Si le danseur japonais fascine, les autres protagonistes de ce superbe ballet défendent magnifiquement la chorégraphie de Maurice Béjart. (…) l’enchaînement des scènes est rythmé (…) le chef français Daniel Kawka dirige tout ce beau monde avec une belle précision, autrement plus demanderesse pour le ballet que pour l’opéra.

Jacques Schmitt, ResMusica

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Les Dialogues des carmélites

By Posted in - Opéra on November 8th, 2016 0 Comments

 

Directeur Daniel Kawka
Mise en scène Leo Muscato
chef de chœur Franco Sebastiani
scene Federica Parolini
costumes Silvia Aymonino
disegno luci Alessandro Verazzi
assistente alla regia Alessandra De Angelis
assistente alla regia Maria Selene Farinelli
assistente …

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Pelléas and Mélisande

By Posted in - Opéra on February 17th, 2014 0 Comments

 

The balances, the breaks, all a force of admiration.
One of the great performances of Pelleas, it is nigh on impossible for me to quote a conductor who has satisfied me more even when one has the discs of the greatest names and orchestras available, and very well mastered.

David Le Marrec, Carnets de sol, 6 avril 2014 à :: Autour de Pelléas et Mélisande ::

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Der Ring

By Posted in - Opéra on February 17th, 2014 0 Comments

 

A deep orchestra pit helps to ensure that the orchestral sound remains rich while not swamping the singers. And under the baton of Daniel Kawka, the “Richard Wagner European Orchestra” turned in a performance fit to grace any opera house on the planet. The orchestral textures were sumptuous and there was a constant sense of forward impulse from beginning to end. …

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Tristan & Isolde

By Posted in - Opéra on February 17th, 2014 0 Comments

 

Not for a long time have we heard Tristan so sensual and electric, between ecstasy, abandon, tenderness and bitterness. The radical violence taking place is more explicit: Tristan, tragic opera and languorous? Not the case in DanielKawka’s eyes…

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Tannhauser

By Posted in - Opéra on February 17th, 2014 0 Comments

 

Molto applaudita la direzione nitida e perfetta del giovane Daniel Kawka e la prova sicura nel ruolo di Elizabeth di Martina Serafin. Menzione per gli infiniti costumi di artisti e comparse, curati da Anna Biagiotti.

Andrea Daz, 06/09/09

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