by D.Druhen
There was a time, not so long ago, when musical creation required a calling, specialisation was necessary and commitment required you to fight tooth and nail to combat ever-living academicism. Now, from the end of the 1970s, just as music was becoming more flexible, you could say, because ideologies and systems were gradually losing their resonance, performers devoted to creation began publicly venturing into fields from which they had been more or less barred up until then. Read more